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“I learned this, at least, by my experiment; that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in popular hours.” (Henry David Thoreau, “Walden.”)
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Hands up folks, how many of us discovered Thoreau after having watched this movie? *Really* discovered I mean, regardless whether you had known he’d existed before. How many hold they know what Thoreau was talking about in that passage about “sucking the marrow out of life” cited in the movie, even if you didn’t consume the next 2+ years of your life living in a self-constructed cabin on a pond in the woods? How many bought a copy of Whitman’s poems … whatever collection? (And maybe even read more than “Oh Captain! My Captain!”? ) How many went on to read Emerson? Frost? Or John Keats, on whose personality Robin Williams’s John Keating is probably losely based? Judging by the great majority of the reviews on this state alone, you impartial can’t fail to eye that this movie has a much appeal like few others; “inspirational” is probably the most frequently customary word in the opinions represented here. And justifiedly so, despite the fact that charismatic Neil Perry (Robert Sean Leonard), one of the movie’s main characters, tragically falters in the pursuit of his dreams, in the wake of apparent triumph. Because although Neil’s sage is one of failure, ultimately this movie is a celebration of the triumph of free will, independent thinking and the growth of personality; embodied in its closing scene.
Of course, lofty goals such as these are not easily achieved. Todd Anderson (Ethan Hawke) in particular, the last scene’s triumphant hero, is literally pushed to the edge of reason before he learns to overcome his inhibitions. And Thoreau said in “Walden:” “If you have built castles in the air, your work need not be lost; That is where they should be. Now set the foundations under them.” Anyone who takes this movie’s message to heart (and Thoreau’s, and Whitman’s, and Emerson’s, Frost’s and Keats’s) knows that success too easily won is often no success at all, and most of our truly primary accomplishments are based on focus, tenacity and hard work as considerable as on anything else. And prudence, too … dashing Charlie Dalton (Gale Hansen) pays a high effect for his spur-of-the-moment challenges of authority; although of course you objective gotta fancy him for refusing to imprint Keating’s indictment. “Carpe diem” – live life to its fullest, but always know what you are doing, too.
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You won’t relish this movie if you are stunned of letting your mind and your feelings accelerate free. Shot on the delicate site of Delaware’s St. Andrews Academy, “Tiring, Poets’ Society” is visually glorious, particularly in its depiction of the amazingly aesthetic scenery (where the progression of the seasons mirrors the progression of the movie’s epic line), and it is as emotionally consuming as it invites you to mentally reexamine your place in life. Robin Williams delivers another Academy Award-worthy performance (he was nominated but unfortunately didn’t find) . Of course, Robin Williams will to a obvious extent always be Robin Williams … “Aladdin’s” Genie, “Generous Morning Vietnam’s” Adrian Cronauer and “Pleasant Will Hunting’s” Professor McGuire (the 1997 role which would finally catch him his long overdue Oscar) all shimmer through in his portrayal of John Keating; and if you’ve ever seen him give an interview you know that the man can go from hilarious and irreverent to deeply reflective in a split second even when it’s not a movie camera that’s rolling. Yet, the sad sheep among Welton Academy’s teachers assumes as obvious and memorable a personality as any other one of Williams’s film characters.
Of its many Academy Award nominations (in addition to Robin Williams’s nomination for best leading actor, the movie was also nominated in the best represent, best director [Peter Weir] and best current screenplay categories), “Lifeless Poets’ Society” ultimately only won the Oscar for Tom Schulman’s script. But more importantly, it has long since won it’s viewers’ lasting appreciation, and for a reason. – As the Poet said: “Camerado! This is no book; Who touches this, touches a man” (Walt Whitman, “So Long!”), this is no movie; who watches this, watches himself!
Also recommended:
Good Will Hunting (Miramax Collector’s Series)
A Midsummer Night’s Dream (The Novel Folger Library Shakespeare)
Henry David Thoreau : Detached Essays and Poems (Library of America)
Whitman: Poetry and Prose (Library of America College Editions)
Robert Frost: Tranquil Poems, Prose, and Plays (Library of America)
John Keats: The Complete Poems (Penguin Classics)
Be careful about the impress ‘Special Edition’ if you are detached waiting, like me, for the incredible Director’s lop that was released on laser disk but not on DVD. It contains well-known extra footage added by Peter Weir that fleshes out the motivations late many of the characters and answers some questions that the theatrical slice raises. The Director’s slit is 142 minutes so this DVD is fair a re-release of the modern theatrical version.
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Willie Stark