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What an lively belief — find the youngest beneficiaries of inherited wealth to discuss something that is considered the ultimate taboo. The results Jamie Johnson gets are really very lively.
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What the kids say really runs the gamut. Ivanka Trump comes across very level headed, even saying at one point that she couldn’t understand why people treated her differently when she was younger, because the money that got her that type of attention was her parents’, and she wasn’t going to give it to that person. Josiah Hornblower and S.I. Newhouse came across really sympathically, seeming really embarassed about their family’s money. As some of the newpaper reviewers have pointed out, these two seem to want to succeed, despite their parent’s money.
Stephanie Ercklentz and Christina Floyd reach across as a bit frivolous, but not shallow. Cody Franchetti seems to be desperate to sound really shining, and for the most allotment he succeeds, but at times, it seems really forced. Carlo Von Zeitschel and Georgina Bloomberg are only seen for short clips, so it not possible to score a really righteous sense of who they are. Von Zeitschel does do a well-behaved job of playing all European and jaded, but he also seems very nervous about talking on camera.
The most ballyhooed participant was Luke Weil, because he sued Jamie Johnson. He seemed really unnerved and dysfunctional when it comes down to it, like he was going to tumble apart at any moment. Everyone who reviewed this documentary before said he came across as shallow, but to me, he unbiased seemed really pathetic. He was the sort of person no one would pick an interest in if he didn’t have money. Velvet ropes allotment for him, because he is a wealthy person. One wonders if that would happen if he wasn’t. The section about his education was also glorious fantastic considering he lives his life on a knife edge, and if for some reason his fortune were to proceed, like from his father getting mad about him for appearing in a documentary about rich people, he wouldn’t have powerful to topple help on.
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Another very though-provoking thing about this movie was that some of these people — not all of them, if their money were taken away, would really not be all that bewitching. The fact they have money makes people pay attention to them, not anything special about them or their personalities.
I don’t personally know any of these people, and it is possible that Johnson, a life long friend of most of these people, carve the clips together to create them arrive across as more sympathetic, which they do for the most piece.
Overall, I assume this is a very spirited and insightful film. Johnson must be commended for making it, especially in this society, where wealth is so prized and so talked about. This is an even bigger accomplishment given that the diagram he portrays the rich is that they disappear in such a tight circle, really not letting anyone “unique” in.
The production however, is really coarse. Maybe it was the filmmaker’s intent to do so, to explain the rich, warts and all. There were parts that I notion could have been refined a petite bit.
On the surface, this short documentary can be appreciated as nothing more than a perceive into a world that few of us will ever know – that of astonishing, inherited wealth. However, dig a exiguous deeper and there are racy comparisons to be made between the three distinctive “groups” represented here. When comparing the Americans – the wealthy sons vs. the wealthy daughters in the United States, a supposed meritocracy, the boys uniformly seem clear to “display themselves” in some procedure. They vary from being slightly abashed to extremely apologetic about their money because they’re well aware they haven’t earned it, while the girls (Ivanka Trump being the token exception) honest want to shop, lunch at the country club, trip horses or pick up art. Then compare the American boys to the the two Europeans represented. In Europe, where the class system is deeply ingrained and generally popular, the boys are shameless and without apologies about their wealth. Not surprising, then, that they approach off as the biggest idiots of the part as well.
Ultimately, however, this film (like all valid documentaries) is a ogle of individuals. Meaning that the average viewer will probably waste up liking some of these kids while loathing others. Unprejudiced like any other group of people. I can’t say that I learned anything earth shattering or even terribly modern here but as a character peek, “Born Rich” is enchanting stuff.
And despite the renowned phrase, one comes away with the sense that the rich AREN’T so different after all.
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Willie Stark